Nintendo Future Switch Units May Be Using Apple Screen Technology

August 8, 2019

According to the Wall Street Journal, Nintendo will be sourcing screen technology from Sharp. It's the same technology Apple uses in their products, where they are often the industry leaders in display tech.

Spotlight

OWNZONES Media Network

We create technology to simplify OTT delivery and help creators reach their audiences globally in a growing $85 billion industry.Welcome to OWNZONES Media Network (OMN). We offer motion picture, television and digital content creation professionals a proven, proprietary technology that significantly simplifies, speeds up and improves delivery to any OTT and/or traditional broadcast endpoint in the US, Europe and Asia. Stress-free and completely automated, our solution makes it much easier to prepare and deliver your content to viewers, whether they’re watching on the web, a mobile app or any connected device. We seamlessly handle all aspects of distribution, conforming to your desired platform’s optimization specs, requirements and metadata.

OTHER ARTICLES
MEDIA AND BROADCASTING

Hi-Res audio: It’s all about a maturing market

Article | May 21, 2021

Music streaming contrasts sharply with video streaming. While the video marketplace is characterised by unique catalogues, a variety of pricing and diverse value propositions music streaming services are all at their core fundamentally the same product. When the market was in its hyper-growth phase and there were enough new users to go around, it did not matter too much that the streaming services only had branding, curation and interface to differentiate themselves from each other. Now that we are approaching a slowdown in the high-revenue developed markets, more is needed. Which is where Hi-Res comes in.

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MEDIA AND BROADCASTING

Games video creators can help attract new audiences to esports, if rights holders empower them to

Article | June 14, 2021

Those who have been following MIDiA’s games coverage for a while will have seen our posts about the growth problem of esports and suggestions around putting focus on the entertainment angle, rather than just on the sports angle, in order to most effectively capitalise on the opportunity. We have known for a while that esports viewers are only a subset of the broader games-related video viewing audience.We also know that esports audiences enjoy live entertainment in general, more so than many other entertainment consumer segments. MIDiA’s Q1 2021 consumer survey enabled us to dive deeper into how this opportunity can be approached. As a part of our upcoming Esports Viewer Dossier 2021 update, we have looked at the esports viewers, in comparison to consumers who say they watch games-related videos but not esports. The former represents the current state of play, while the latter represents esports’ potential audience growth opportunity.

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MEDIA AND BROADCASTING

The productisation of music rights

Article | June 4, 2021

News that New York-based Pershing Square Tontine Holdings is planning to acquire 10% of UMGis the latest in a wave of financial transactions in the music rights space. Alongside this, Believe’s impending IPO has the potential to be one of the biggest things to happen to the independent music sector in some time, and comes as part of a wave of IPOs (e.g.WMG,UMG), SPACs (e.g.Anghami,Reservoir) and no end of catalogue funds and acquisition vehicles. This trend, with good cause, has been referred to as the ‘financialisation of music’ but that only captures part of what is at play here. This is more than simply an influx of capital and debt; financial institutions are now becoming part of the plumbing of the music business, and in turn they are changing the definition of what constitutes success. This shift in objectives and desired outcomes has the potential to rebalance how the music industry operates.

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MEDIA AND BROADCASTING

FILM PRODUCERS FLIP BARGAINING TABLE WITH UNIONIZING EFFORT

Article | May 21, 2021

Movie producers often find themselves negotiating with talent and crew members, and/or their production union representatives, over pay and benefits. But a group of 108 producers flipped the script Thursday in announcing they were looking to form a union of their own.Higher minimum pay and health benefits were cited as the two major reasons. While the group, called the Producers Union, boasts some heavy hitters such as Chris Moore (Manchester by the Sea) and Rebecca Green (It Follows), they made it clear that the traditional image of a Hollywood producer is misleading. Many are just getting by, project to project, looking for a breakout hit to up their quote. According to a survey released this year, 41% of producers made less than $25,000 in the pre-pandemic boom times of 2019. The Producers Union has developed a constitution with provisions for dues and diversity initiatives, with the aim of eventually negotiating a collective bargaining agreement with distributors and other film financiers. Previous efforts by producers to unionize have been thwarted by the courts and the National Labor Relations Board, according to Variety, as the NLRB saw them as supervisors and employers – which creates a high barrier to organizing.

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Spotlight

OWNZONES Media Network

We create technology to simplify OTT delivery and help creators reach their audiences globally in a growing $85 billion industry.Welcome to OWNZONES Media Network (OMN). We offer motion picture, television and digital content creation professionals a proven, proprietary technology that significantly simplifies, speeds up and improves delivery to any OTT and/or traditional broadcast endpoint in the US, Europe and Asia. Stress-free and completely automated, our solution makes it much easier to prepare and deliver your content to viewers, whether they’re watching on the web, a mobile app or any connected device. We seamlessly handle all aspects of distribution, conforming to your desired platform’s optimization specs, requirements and metadata.

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